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Framed Art Reproduction – Ready to hang

Greek Alphabet - Alfred Prunaire

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2,635 Recensioni
The artist

1837 – 1912Classics

Alfred Prunaire

Parisian engraver who translated other artists’ images into woodcuts.
Alfred Prunaire (1837-1912), a French engraver and wood engraver, was born and worked in Paris, where he regularly exhibited at the Salon from 1867 onward. Specializing in reproductive wood engraving, he worked for many years in the French illustrated publishing industry of the second half of the nineteenth century, translating drawings and paintings by other artists into woodcuts for magazines and popular reference books. This was a crucial role in an era when engraving was the primary means of reproducing printed images. His repertoire included historical subjects, portraits, and educational plates, including reproductions of alphabets and historical calligraphic scripts, such as those of the celebrated Renaissance writing master Giovanni Battista Palatino. Although less well known than the original painters and engravers of his time, Prunaire’s work attests to the important artisanal role of wood engravers in the visual dissemination of nineteenth-century culture.

Some pieces have minor imperfections: they’re part of their history and soul. There’s nothing interesting about perfection.

His works 1 operate

“Greek uppercase letters, from alpha to omega, in a design by Giovanni Battista Palatino, a 16th-century Italian calligrapher.”

2 Choose your paintings
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Size Guide

VERTICAL FORMAT
The most natural format for portraits, figures, and compositions with a central focal point. Perfect above a console table, next to a door, or in a narrow hallway.

WIDE HORIZONTAL FORMAT
Ideal for landscapes, views, and panoramic scenes. It fits perfectly above a sofa, a bed’s headboard, or a sideboard.

SQUARE FORMAT
A balanced and essential format that suits almost any wall. Perfect on its own or combined with other artworks to create a small gallery.


Printing and Framing

The frame
Black, understated, made to last.
The frame is made of black wood, with a slim, square profile. A 5 cm white mat surrounds the artwork: a wide margin that lets the subject breathe and separates it from the frame. Glass protects the print and only catches a slight reflection when the light is bright.

The print
A sheet with weight and grain.
The artwork is printed on 250 g/m² fine art paper. The surface is matte with a slightly raised grain: it doesn’t reflect light, so the colors look the same from anywhere in the room. The weight and texture are those of a print made to last, not a poster.

INSPIRATION FOR YOUR SPACE

Greek Alphabet·Alfred Prunaire·1895 ·Classics

Alfred Prunaire

Parisian engraver who translated other artists’ images into woodcuts.

Alfred Prunaire (1837-1912), a French engraver and wood engraver, was born and worked in Paris, where he regularly exhibited at the Salon from 1867 onward. Specializing in reproductive wood engraving, he worked for many years in the French illustrated publishing industry of the second half of the nineteenth century, translating drawings and paintings by other artists into woodcuts for magazines and popular reference books. This was a crucial role in an era when engraving was the primary means of reproducing printed images. His repertoire included historical subjects, portraits, and educational plates, including reproductions of alphabets and historical calligraphic scripts, such as those of the celebrated Renaissance writing master Giovanni Battista Palatino. Although less well known than the original painters and engravers of his time, Prunaire’s work attests to the important artisanal role of wood engravers in the visual dissemination of nineteenth-century culture.

Some pieces have minor imperfections: they’re part of their history and soul. There’s nothing interesting about perfection.

Scuola Italiana – Giovanni Battista Palatino – Alfabeto Greco - Alfred Prunaire, opera di Alfred Prunaire (Classici), stampa con passepartout e cornice nera, 80x115cm

1895

The difference is visible up close.

It’s not a poster. It’s a framed art print, ready to hang.

Five layers, carefully selected and hand-assembled in Italy. It arrives already assembled.

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  1. 1
    3 cm deep corniceGallery depth
  2. 2
    Protective glassNo dust or creases
  3. 3
    Chamfered passepartoutThe work breathes
  4. 4
    250 g/m² fine art paperTrue-to-life colors that last
  5. 5
    Retro openableChanges in 2 minutes

FREQUENTLY ASKED QUESTIONS

What happens if the print arrives damaged or isn’t what I expected?

In case of damage or defect, please contact us within a few days of delivery and include a photo of the product. We will quickly send you a free replacement or work with you to find the best solution.

Does the artwork arrive ready to hang?

Yes! The artwork is already assembled and ready to hang. No additional assembly is required.

Can my artwork have minor imperfections?

Yes, some pieces have small imperfections: they are part of their history and soul. There is nothing interesting about perfection.

Are the prints interchangeable?

Yes! You can easily change the design in the frame by opening it from the back, taking out the old design, and inserting the new one purchased from Miriaici.

Can I see how a print will look in my space before purchasing it?

Yes, our website offers a completely free wall mockup service click here. This helps you imagine how each print will complement your space before making a purchase, ensuring your choice is a perfect fit for your space and style.

Can I request a return?

Yes, if you are not satisfied with your order, contact us within 14 days of delivery to arrange a return.

Do the artwork’s colors faithfully match what I see online?

Yes, our high-definition printing technologies ensure precise and vivid color reproduction for every artwork.

However, the colors you perceive may vary slightly depending on the screen of the device you are using.